Peter's Projection

fidelity of latitude, fidelity of longitude

QotD: White Fight
emmy
[info]vrbtm
I've really gotta stop writing about comics.
Watching a billionaire Batman disarm poorly-trained, poverty-stricken muggers effortlessly or beating up skinny junkies might be fun for a scene or two but does tend to raise thorny issues of class and privilege that the basic adventure hero concept is not necessarily equipped to deal with adequately.

-- Grant Morrison

Grant and Frank's Batman & Robin #2 is on shelves today. It's great. I'm so glad to be reading Batman again.
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PotD: Storytelling
emmy
[info]vrbtm


Frank Quitely and Grant Morrison on All-Star Superman.

There is no such thing as character, only plot. Character is what is revealed about people through plot.
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PotD: Spidey 600
emmy
[info]vrbtm
The cover of the 600th issue of Amazing Spider-Man is drawn by none other than the living legend: John Romita, Sr.



Romita drew some 60 issues of Spider-Man in his formative years. Taking over for the iconoclastic Steve Ditko, JRSR brought a romantic aesthetic to the once-offbeat book. JRSR drew half of the death Captain Stacy, revealed the identity of the Green Goblin, and introduced Robbie Robertson (one of the first black characters in comics, the guy who secretly runs the Bugle, and the guy who has obviously known that Peter is Spider-Man for 40 years). Romita drew Spider-Man when Spider-Man was revolutionary. The book under Romita addressed drug abuse, the surveillance state, protest culture, racism, Vietnam.

John Romita's son (and namesake) is now one of the most dynamic artists in comics and a terrific storyteller in his own right, but he is most famous for his uncanny hatching-- like the world's foremost authority in it.

ASM 600 is out in a couple of weeks. It better be awesome.
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VotD: Ice Cream
emmy
[info]vrbtm
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PotD: Capybara
emmy
[info]vrbtm
Read about this animal today. The capybara, the world's biggest rodent -- from Peru!



They're basically Emmy, except they're awesome in water. Here's a picture of a capybara lounging in some shallow water.

Someone procure this animal for me. We shall name him The Honorable Mr. Tumnus Applebaum, professional scrivener of toilet humour. He'll respond only to his FULL NAME, and he'll sleep in the bath like George Harrison. We will love him.
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PotD: Runaways semi-spoiler
emmy
[info]vrbtm
Oh, no. Poor, Chase.



Very happy to have the immensely talented Kathryn Immonen on the book. Very sad to see her destroy the fictional things I love.
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Quesada + ????
emmy
[info]vrbtm
I’m currently working on a six-page story for “Amazing Spider-Man” #600 with a relatively unknown, upstart writer. - Joe Quesada


Even money that this "unknown, upstart writer" is Stanley Lieber.
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QotM: Hippies
emmy
[info]vrbtm
The bottomless font of wisdom, last bastion of sagacity, the comments on the News-Post website:

June 20, 2009 @ 10:14 AM: ChuckWillKill81

Wow, these hippies are hilarious!!! They make me sick to my stomach, and im not going to lie. Im glad the Sheriffs Office shut that crap down, cause that's the last thing this world needs is another hippie party. You want to have your hippie pot smoking festival then take it to Iraq....I hear they grant permits to anyone. Better hope the Marines ain't around though, i hear they break events like that up a little different!!
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PotD: Dungeons and Dragons Battle Grid
emmy
[info]vrbtm
Check out what Bagel did!



I'll be out of town for the weekend, out-nerding you by a factor of 10.

QotD: GK
emmy
[info]vrbtm
"The Christian ideal has not been tried and found wanting; it has been found difficult and left untried."

- G.K. Chesterton
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PotD: 2 years ago
emmy
[info]vrbtm


America needs its Captain. That's all I'm saying.
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PotD: Pigby
emmy
[info]vrbtm


Bagel is back, and we're watching our date night TV program. This is our favorite character.
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VotD: Natal on Fallon
emmy
[info]vrbtm
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Peter sick
emmy
[info]vrbtm
Peter feel bad

Peter still in bed

Peter kaff kaff hack kaff

Peter sad
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Commence irate fanboy rage now
emmy
[info]vrbtm
The current rumor is that Captain America 600 will feature the return of Steve Rogers. But maybe not our beloved 616 Steve Rogers, with the quiet consideration and infinite virtue that makes him one of the best superheroes we've had. Word on the street is we may be getting the "Ultimate" version of Cap, who is a somewhat less noble character. He's an jingoistic, pious boy scout with traces of racism and retrograde attitudes that do not befit uniform. Although is costume is much better.

This is a disaster. If Steve has to come back, let it be the Steve that Peter Parker and James Howlett idolize, and not Mark Millar's mean-spirited polemic.

For the record, this was Ultimate!Cap's reaction when faced with the option of surrender:



616 Cap fought with the French resistance in WW2 and would be embarrassed to have been heard saying that.
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VotD: Tonight Show
emmy
[info]vrbtm


So glad Jay Leno is gone, never to retu-- what? he is? are you kidding???
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QotD: Regardig Scott Pilgrim film
emmy
[info]vrbtm
(2:32:01 PM) Me: it's got to be a huge challenge for Michael Cera
(2:32:03 PM) Me: cause he has only played 1 character
(2:32:25 PM) Steven Kern: yeah, he plays MICHAEL CERA in every movie

VotD: Nerdery glee
emmy
[info]vrbtm


Great day for nerds.
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QotD: Guess who. (no googling)
emmy
[info]vrbtm
"I think people ought to be free to enter into any kind of union they wish. Any kind of arrangement they wish. The question of whether or not there ought to be a federal statute to protect this, I don't support. I do believe that the historically the way marriage has been regulated is at the state level. It has always been a state issue and I think that is the way it ought to be handled, on a state-by-state basis... But I don't have any problem with that. People ought to get a shot at that."

-- ???
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PotD: Flux
emmy
[info]vrbtm
Fluctuating wildly between these two extremes:


businessguysonbusinesstrips.com
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(no subject)
emmy
[info]vrbtm


At E3:
  • Games
    • Rock Band: The Beatles
    • Final Fantasy XIII will be on the 360
    • Left 4 Dead 2 and Crackdown 2
    • Alan Wake
    • Metal Gear Solid is finally on the 360
  • Video
    • 1080p instant viewing
    • Sky TV
    • Premier League SOCCER
    • Sharing video over parties
    • Live television
  • Technology
    • Manage Netflix queues
    • Twitter
    • Facebook
      • Binding avatars to profiles
      • Post screen captures
    • Motion control without a controller: "Natal"
      • gesture-based interface (a la The Minority Report)
      • voice commands
      • facial recognition
      • video chat
      • video capture of user-generated content
    • Last.FM
  • Guests
    • Felicia Day
    • Peter Molyneux
    • Hideo Kojima
    • Steven Speilberg
    • Paul McCartney and Ringo Starr
Holy s-word.
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Hindsight
emmy
[info]vrbtm
When the DHS warned about right-wing extremism at the onset of the administration change, conservative folks got upset. Now that those extremists are gunning down people at church, worries abound of some sort of "backlash".

I am unprepared for the daily absurdities of living in this world.

VotD: Weeeeee
emmy
[info]vrbtm
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VotD: Josh
emmy
[info]vrbtm
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Liveblogging D&D
emmy
[info]vrbtm
Are you ready for the onslaught of dorkiness?
  • "The Raider's Hideout" is the name of the module.
  • The party is in Fabrelle Port.  Soo, Dworosi, and Richter are getting drunk in Djorn's Tavern.
    • Richter is getting "blasted", upset about having gotten into a row with the party on the last adventure.
    • Soo buys a round for the tavern, celebrating return from pilgrimage at the Io's Blood Chain Islands.
  • We're returning to Gildaire, scene of the last adventure, to smooth over the goofs from last time.
    • The neighborhood of Gildaire is called "The Deep Delve Twelve", and it's kinda like Delta City in Robocop.
  • We travel to Gildaire.  A large city carved into the side of a mountain.  We're going to get the lay of the land, and perhaps meet up with Mortimer Wingbolt, a gnome griffin-rider, the wronged party from last time.
  • Into a tavern in "Outtown" with a dwarf bartender.  Mostly a dwarf crowd in here tonight.
  • Soo buys the tavern a round, and joins the bar in singing a song!
  • Having introduced us the troublemakers from before, the bar has cooled to us.
  • Dworosi, a fellow dwarf, helps assuage the matter.
  • Soo sings another song for one dwarf's birthday.  Soo gifts the birthday boy a +1 frost mace.
  • We're recommended to visit the City Guard to look of work.  The party heads into town.
  • We are stopped by the guard and discuss griffin training.
    • Raiders have been harassing and killing young griffins.
    • The "daffy bastards" of Justice Has a Name will help clear the raiders.
  • We make our way to the barracks/stables for the griffin riders.
  • Yikes.  We run into the griffin riders.  These guys HATE us.
  • On his knees, Soo appeals to one of the barrack guard, who directs us to Master Wingbolt.
  • We enter a giant hangar for griffins, filled with uniformed gnome riders.  We spot and approach Wingbolt.
  • Agreeing to help rid the raiders, we'll have to fly on griffins, and humble ourselves to the creatures.
    • Richter offers his sword as collateral while we borrow griffins.
    • Dworosi has a skill check to calm the griffins so they'll agree to let us ride.
    • Soo interrupts and tries to calm one-- and gets bit for 3 damage.
    • Dworosi has trouble with the last one, Soo gets some advice from a gnome handler, and does an awesome job taming the last griffin.
  • In getting ready to take off, Soo pulls out his sword and shouts, "TO INFINITY AND BEYOND!!!"  The griff immediately bucks Soo off.  Embarassed, Soo lets Dworosi lead.  The party flies out together.
  • Dworosi is uncomfortable in the air.  Soo feels at peace and calm.  Richter is singing songs from Alladin.
  • Two feral griffins approach.  Combat begins.
    • Whiffs aplenty.  Soo starts it off with a mighty critical miss.
    • SOO'S FIRST CRITICAL HIT IN FOREVER-- RIGHTEOUS SMITE. 
    • We're getting messed up and we don't want to hurt more griffins, so we're running.  SKILL CHALLENGE!
      • Soo is slow in escape and is getting gnarled up!
      • We make a break for a cave, but we have to dismount the griffins in mid-air!  Soo has a critical miss on his landing and belly flops onto the ground!
      • Man we have gotten MESSED UP.  Soo has taken about 80 damage, and Richter is at 1 HP.
  • We explore the cave and find footprints.  Dworosi uses his finely honed natural skills to identify gnoll tracks.  The party agrees that we do not like gnolls.
  • Dworosi leads, summoning EMMY to help find the way down a stairway.  A trio of Gnoll guards spots us.  COMBAT begins!
    • Dworosi summons another damn creature-- Bamsen the spectral bear!
    • We are rolling garbage tonight.
    • Soo is getting ganged up on by flanking gnolls.
    • Dworosi gets caught in a sand trap.  Soo dodges it cannily.
    • This S is getting ugly.
    • This fight has been going on forever.  I've had 2 crits today though.
  • The gnoll corpses are covered in griffin feather trophies.  We're taking them to prove the kill.
  • We come upon a double door, where we will use a move we call "MANEUVER BLURPLE", where we kick down a door and scare whoever is on the other side.  It's some bad ass gnoll on a throne and two hyenas fighting over a scrap of meat.  COMBAT Begins!
    • Quick note.  My initiative has been over 20 in every fight.  My new mini d20 is on fire.
    • Soo the dragonborn palladin thinks hyenas suck, so he breathes his wicked dragon breath on them.
    • Playing with a warlord and a shaman is fun.  I rolled a six on attack, but still ended up hitting and giving 25 damage.
  • We dominated this gnoll huntmaster, and we're now analyzing his dwelling.
    • There are dwarf statues around.  One holds a warhammer that Dworosi wants very badly.  Richter shatters the statue, and Dworosi takes the weapon.
    • There is a ruined coffin carrying the name "Stonerot."
    • Soo broke the second statue and found a weird, silent chisel.  Dworosi picks it up.
    • There was also a onyx falcon, but it is mundane.
  • Climbing back down, we are picked up along the way by griffin riders!
  • Mortimer Wingbolt is waiting for us as we return to the barracks.  He is totally impressed by our deeds.
    • We get a little out of control in bragging, showing Wingbolt the things we took from the tomb.  We almost blow it when he thinks us graverobbers.  We give the stuff back.
    • Justice Has a Name is now welcome in Gildaire and beloved!
  • Soo and Richter are now level 4! 

VotD: Our world
emmy
[info]vrbtm
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2 awesome ideas
emmy
[info]vrbtm
Trying not to think about work, but I am anyway.

One is a Google search visualizer for a page. It's probably a browser plugin that color codes containers if they are being indexed, crawled, or ignored for search purposes. It would look for those googleon googleoff tags. So you'd get a big colorful grid so you can check visually if your page is as friendly as you want it to be.

Idea two is similar but impossible to enact. I want to be able to enable or disable crawling using CSS properties. That way a content-level person can fiddle with the searchy-ness of a page without altering functional code. So a style could have a searchable: none; property, and everything would be cool. It would never happen but it's a cool idea.

And now that I wrote those down, I can move on.
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London dispatch
emmy
[info]vrbtm
Everyone else is asleep, and -- true to form-- I cannot.

Today Bagel and I went to the National Gallery. They had a terrific exposition on Picasso's relationship with the art before him. I'm not the best art student, but my impression was that he had always been an iconoclast with distaste for his forebears. The exhibit we saw was all about how he was actually a fine-tuned classicist who through his exploration of new delivery methods, interpolated and reconfigured his biggest influences. There was several rooms of Picasso reworking Poussin and Delacroix and Van Gogh-- all in ways that were unmistakably Picasso, but still reminiscent of the original.

So there were works that showed the very best of Picasso: cubist grey portraits, intricate still life, grotesque female nudes. But each of the pieces was given context by accompanying paintings made by the masters Picasso studied. The last few rooms were the artist "covering" (so to speak) those same masters.

There are a lot of ways to think about this. The first that occurred to me was that Picasso was such a technical wizard that he had to blaze new trails, and then he had to circle back to make sure others followed along. A child of the avant garde may be comforted by spurning the past, but he can only be vindicated by showing others _how_ he did it. Even that explanation isn't really sufficient though. Picasso was a lover of those artists, and there's a noticeable presence of reverence and tribute in what he is doing. So you could say that as the man reached the end of his own life he became fixated on his legacy; tying himself to the heroes of his time as a student is a great way to cement your legend. I don't know about that one either.

I'm a plebian. I don't know fine art as well as I should have-- and definitely not as well as my mother or Bagel or my namesake uncle. I know music though. I understand the craft and art of music better than I do anything else, so that's where my brain kept going when I was reading and appreciating this. I kept thinking of Jeff Tweedy.

The Wilco guy started off in an "alternative country" act called Uncle Tupelo, doing middle of the road rock tunes with a very strong nostalgic Americana twinge. When he put his own act together, they continued in largely the same vein, but eventually he began developing a more confident authorial voice. His blues-based country songs or Guthrie-esque folk-rockers began incorporating exotic instrumentation and challenging compositional cues. It was still easily recognizable pop music, just a more interesting breed of it. But at a some point Jeff Tweedy transformed into an auteur musician, and that probably happened in 2001 with the release of _Yankee Hotel Foxtrot_,

YHF is still a simple album about yearning and estrangement and America, but it's also a singular statement of pop music that has become dissociated from its own artifice. A three-chord shuffle in most hands would become a serviceable love song, but Tweedy uses word salad and deconstructed arrangements to create a listening experience that is twice as potent and half as familiar. Tweedy will drops out the drums and replace a guitar solo with white noise while he sings abstract couplets ostensibly about self-identity or the passage of time. But it's still a 3-minute pop song.

I can't help but think cubism is the same thing. Picasso knew the boundaries and structures of classical formal art so well that he could transcend them easily. Just like how children learn vocabulary for concepts they are already understand and thereby lose some of the poetry and magic that comes with pre-vocal knowledge, Picasso learned how to put down that learned vocabulary, but he did not forget it. That set of rules, the cultural edifice bound to all media, is just a consensual invention of its followers. By creating art of a similar pattern to something seen before, an artist is engaging a context that makes his message (usually "don't be a dick") easier to absorb. Problem is that those rules quickly become dogma. When the punks said they had enough with overblown guitar solos and slick production, they were saying that the rules of music had become too strict. Idiots that they were, they didn't notice that they had created a system much more restrictive to take its place The excitement in art is the defiance of expectation-- because that is when the artist and audience are most engaged. Hell, that is the definition of irony.

Cubism is a new set of rules for art to replace the ones before it. Picasso said enough creating an idealized world on the canvas, using pigment and perspective and tone to represent the real space we live in. Cubism was a subjective view of an objective world. Each object in frame has facets, and each can be made available to the audience, even if that were impossible in real 2-D space. The artist empowers and trusts the audience to interpret a figure correctly: "this is a human"; "this is a violin". The delivery has changed dramatically, and that creates a jarring but not unpleasant viewing experience. It's invigorating, but it's not difficult. Picasso's work reminds us of those who came before him because he adopted their sensibilities, just not their formality.

A cubist nude, all her planes collapsed into one, is a nude nonetheless and worthy of appreciation. A love song with a 13-minute feedback loop tagged on at the end is still another song about a girl.

I don't think Jeff Tweedy is Picasso, but I do think I see the threads between the two. And I'd love to pull that same thread closer to my own work. The nice thing about making music with Christian is that we have no formal education. We learned by imitation and without discussion-- aping what we heard until we did it right. So we know all the rules for the music we make, but we don't have many words to describe them. We count time by sense of smell. If the idiom is true that a jazz musician must learn all the rules and then ignore them, what do you do if the rules are all you know?

And on that note, I should turn this off and go to bed. Forgive me for blabbing on about this. Suffice it to say that I thought the Picasso exhibit was fantastic, and Bagel fell asleep before I could ramble on to her about it.

Man, I wish I had a guitar here.

London in shorthand
emmy
[info]vrbtm
  • painless flight thanks to _Neverwhere_ audiobook
  • Team Teamwork!
  • profoundly arse-kicked by jet lag
  • watched _Twilight_
  • walked through my old neighborhood with Bagel
  • spent a few hours in British Museum on Sunday
  • developing a fascination for Victorian orreries
  • forced Erin to browse Gosh! Comics for a while
  • Erin beat me by like 130 points at Scrabble
  • Wagamamas is still fantastic
  • did Science Museum on Monday
  • Bill Wyman's Sticky Fingers bbq joint is only good if you can't remember American food
  • did a music pub quiz last night near King's Cross and got thoroughly walloped
    • cultural context is everything
  • today is Trafalgar, National Gallery, Pizza Express
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Exeunt
emmy
[info]vrbtm
Off to England. Will be somewhat unplugged for the next 10 days. Please make do without me.

Emmy will be staying with Aunt Kellie and Uncle Chris. I am now installing a GPS chip and lifecasting hardware in her skull.

This will be my 3rd trip to England. You can read all about the previous trip. Sorry about the broken images!

When I return, Bagel in tow, I intend to change everything and blow your minds.

Here endeth the "lonely" tag.

Allons-y!
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PotD: Exploitative crap
emmy
[info]vrbtm
Interior concept art for controversial miniseries, _Marvel Divas_.



Mind-bottling.
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Emmy Transcript
emmy
[info]vrbtm
"Pa! Pa!"
"HAY PA!"
"Hey lower me off the bed so's I kin git sum waters!"
"SLURP SLURP GULP GULP SWWWWLLLORRRP!"
...
"HRRRRK BLLLGGGGRRRRK"
"VOMMMMMMMMMMMMMMMMMIIIIIIIITTTTTT!"
...
"Pa! Pa! Gimme a boost back on da bed!"
"Gnight, pa!"
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VotD: Regarding the hockey game
emmy
[info]vrbtm


HAGS, boys. Come back stronger in the fall.
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Wednesday Comics
emmy
[info]vrbtm
I think DC Comics' new idea is fantastic. Instead of the standard size we've grown used to since the silver age (except for wild cards like Ben Edlund's old _The Tick_ and Grant Morrison's radical _New X-Men Annual 2001_), they are putting out a weekly anthology comic book on 14" x 20" broadsheet.

It seems like an unimportant thing on the surface, but the medium is going to love this shot in the arm. Most obviously the pages are huge and will grant prestige to the artists that so often these days get outclassed by writers. I'm not saying we're looking at the second coming of Jim Lee or Rob Liefeld (let's hope not!), but I'm delighted to see someone like Mike Allred or Eduardo Rizzo get a beautiful and big canvas to work on. It makes me wonder what quality paper we'll be getting.

The other side of the coin is the serialized storytelling. It is my understanding that the book will contain many stories, each consisting of a single double-fold page. Coming out weekly, some of these stories may be strung together over weeks and months. This is fantastic. Comics is too filled with solemn geniuses writing from the rarefied air of Northampton or Hazzard County, unraveling a master plan in monthly issues over 5 or 6 years or dumping a 100-page impenetrable tome on us. Where is the seduction in that?? I'm excited to have a new birth of writers, reacting nimbly and adjusting single doses of a story they piece together on a whim. The macro-stories may stay the same, but the unit of meaning is smaller.

I'm certain the editors at DC, who should all be replaced with bonobos, will declare by edict that all pages be submitted many months in advance. That sucks, because the world needs more art like Charles Dickens made. Dickens wrote his best works chapter by chapter, releasing them as he went in weird English periodicals like _All The Year Round_. His stuff would get out, and I guess he'd hear about it between being black-out drunk or dragon-chasing, and he would decide the next day that the prison escapee guy should become Pip's secret benefactor (140-year-old spoiler alert, by the way). The schedule and the size of the unit made Dickens fight his own story as it came out, and it made him a wizardly architect of fiction. Wouldn't it be terrific if Wednesday Comics wrought a similar result for its medium?

And then there's the beauty of the object itself. It's a big book, something you carry under your arm. It's not something you leave by the toilet; it's something you leave on the coffee table and then you act only marginally embarrassed when someone cool sees it. _Wednesday Comics_ is a neat physical artifact in a world that grows less substantial with all the tweets, apps, micropayments, and getoffmylawn.

DC has a dearth of interesting stuff happening. The last thing even worth mentioning was the weekly _52_, but even that was just a matter of frequency, and not a wild experiment in format like this is. _Countdown_ and _Trinity_ aren't worth mentioning, and Manhunter was years ago. All the cool stuff has happened at the smaller guys (The Walking Dead, 30 Days of Night, Scott Pilgrim, Welcome to Tranquility), Marvel (Runaways, Kick-Ass, ASM weekly), and Vertigo (Y: The Last Man, Fables, DMZ). The mainstream DC stuff has become humdrum.

I don't read hardly any DC books (not counting their imprints ['cause they hardly do themselves]), but I'm excited to head to Brainstorm every week to pick up _Wednesday Comics_.



Wiiiiiiiiiiiiidescreen.
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#otD: 2
emmy
[info]vrbtm
Number of transsexual persons or persons of indeterminate sex/gender I've seen in Frederick today.
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VotD: Legalize it
emmy
[info]vrbtm
I'm still not gonna smoke it.

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God help us
emmy
[info]vrbtm
(3:58:13 PM) Me: MAKE IT SO
(4:00:12 PM) Steven Kern: make what so?
(4:00:18 PM) Steven Kern: what am i making so?
(4:00:24 PM) Me: it
(4:00:37 PM) Steven Kern: set course for starbase 115?
(4:00:51 PM) Me: what speed?
(4:01:05 PM) Steven Kern: warp factor 5
(4:01:09 PM) Me: course laid in
(4:01:14 PM) Steven Kern: ENGAGE
(4:01:17 PM) Me: hahah NERD
(4:01:23 PM) Steven Kern: hahahaha
(4:01:25 PM) Steven Kern: you started it

When will the new Chipotle menu make it to Frederick???
emmy
[info]vrbtm
YAY OMNIVORE YAY VEGGIE SOUP
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VotD: Korgi by Christian Slade
emmy
[info]vrbtm
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QotD: Steve
emmy
[info]vrbtm
I was just a kid...A million years ago, it seems sometimes. Maybe twelve. I was reading Mark Twain.

And he wrote something that struck me right down to my core ...something so powerful, so true, that it changed my life. I memorized it so I could repeat it to myself, over and over across the years. He wrote --In a republic, who is the country?

Is it the government which is for the moment in the saddle? Why, the government is merely a temporary servant: it cannot be its prerogative to determine what is right and what is wrong, and decide who is a patriot and who isn't. It's function is to obey orders, not originate them.

Who, then is the country? Is it the newspaper? Is it the pulpit? Why, these are mere parts of the country, not the whole of it, they have not command, they have only their little share in the command.

In a monarchy, the king and his family are the country: In a republic it is the common voice of the people each of you, for himself, by himself and on his own responsibility, must speak.

It is a solemn and weighty responsibility, and not lightly to be flung aside at the bullying of pulpit, press, government, or the empty catchphrases of politicians.

Each must for himself alone decide what is right and what is wrong, and which course is patriotic and which isn't. You cannot shirk this and be a man.

To decide it against your convictions is to be an unqualified and inexcusable traitor, both to yourself and to your country, let men label you as they may.

If you alone of all the nation shall decide one way, and that way be the right way according to your convictions of the right, you have your duty by yourself and by your country. Hold up your head. You have nothing to be ashamed of.


Doesn't matter what the press says. Doesn't matter what the politicians or the mobs say. Doesn't matter if the whole country decides that something wrong is something right.

This nation was founded on one principle above all else: The requirement that we stand up for what we believe, no matter the odds or the consequences.

When the mob and the press and the whole world tell you to move, your job is to plant yourself like a tree besides the river of truth, and tell the whole world--

--"No.

You move."


-- Steve Rogers, after Mark Twain

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